By Mary E. Frandsen

This booklet is an exam of the uneasy alliance of 2 confessions, Lutheran and Catholic, on the sought after seventeenth-century courtroom of Dresden, and the consequences of this alliance for the repertoire of sacred paintings track cultivated there, an influential repertoire that has obtained basically scant recognition from scholars.

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Crossing Confessional Boundaries: The Patronage of Italian Sacred Music in Seventeenth-Century Dresden by Mary E. Frandsen


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